I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.
I’m in a position I never imagined I’d be in as a musician. Bob Dylan built an audience through recording and live shows. The opportunities for an artist today are totally different.
I’m definitely musician and storyteller. But I always like to take an active role in things I care about socially and environmentally.
When you’re on stage, the audience becomes your other half. It’s the ultimate high you can reach as a musician – an incredible feeling. And no matter where I am it’s still the same; there’s a reason we call music the universal language.
I just like the company of beautiful women. I have a weakness in that department. And I suppose because I am fairly well off and a famous musician, I’m up for grabs. And that makes me an eligible bachelor in the press.
I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin’ Wolf, and Little Walter. In some way, in some form, my God was always there, but now I have learned to talk to him.
Having a simple career as a musician who liked music was good enough for me.
I’m not really interested in a ton of female musicians but there is something about Britney that compelled me – the way she sings and just the way she looks.
I really wanted to just be a musician. I didn’t want to be anything else, but I was funny and all that.
You know, I am just a musician and I have no idea these days what good and bad is in terms of labels.
That’s one of the things about being married to a couple of musicians, I have got great iPods. That’s what I was left with — an iPod each.
One of the great things about being in a band is that you meet so many other musicians who will turn you on to stuff you would never have otherwise found out about.
I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you’re dealing with. I don’t want to be flaky. I don’t want to be some temperamental, hard-to-work-with musician.
Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
I’m an untrained musician. Untrained musicians don’t really have any music theory, they don’t have a lot of rules. We break the rules, but it’s mostly because we don’t know what the rules are. It’s easy for us to go to certain places, so I’m not surprised that a lot of people were amused by my songwriting style.
It hurt me to be away from him. Some days I went crazy wondering what he was doing. And when I couldn’t handle it, I practiced music. I really had Aspen to thank for me being the musician that I was. He drove me to distraction. And that was bad.
To be a drummer you also have to be a musician.
Many an American jazz musician has been beguiled by the lush melodies and sumptuous rhythms of Brazilian music, but Peter Sprague has taken the romance a good deal further than most.
The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.
What a young musician’s dream, to say, "Look at those chrome drums. Look at that 22-inch ride cymbal. I’ll have those." It was one of those unparalleled exciting days of your life.
I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don’t like to talk about music all the time.
In order to function and pay our bills and our taxes and feed our families and stuff, musicians have to make a living. It’s not about being a millionaire. It’s about being able to survive. When there are people constantly stealing from you, it’s quite frustrating. It’s a matter of changing the public’s option about doing it.
I went through all the musicians in my life who I admire as bright, intelligent, virtuosic players.
To not be modest about it, you’ll find that with only a couple of exceptions, most of the musicians that I’ve worked with have done their best work by far with me.
I want people to hear musicians like Joe Cuba. He has done things to whole masses of Puerto Rican people. The music is fantastic and important.
When the musical keyboard was created in the 1970’s, you had electronic geeks that had no background in music created these devises and gave them to musicians that had no background in electronics. The result was some of the wierd sounds that came out in the ’70s.
The truth is of course is that there is no journey. We are arriving and departing all at the same time.
Who you are as a performer is one thing, but when you’re making records, you’re dealing with musicians’ tastes, their goals, their wants, their needs, everyone’s individual pride.
I can imagine lyrics becoming better written by smart machines rather than stupid musicians. Songwriters generally have nothing to say. They may as well be replaced by machines.
Edible names are what drives me as a musician. My next band will be called the Hot Dogs.
I’m a musician. It’s what I do! I wouldn’t be too good at anything else.
I just love to play and I get a chance to play with other musicians and I jump on it.