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I’m a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.

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One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I’m doing that. I’m enjoying that.

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I’m a person who really likes to understand motives – the inner motives and the inner personalities of persons. Why do people do some things? How do they deal with themselves while doing them? Definitely one of the most interesting parts of doing interviews and creating the movie was going into those persona issues in each one of them.

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When you live in Israel, there are restrictions which come from budget definitely. I came to the point where I had shot many fiction, many feature films, but at one point it began to bore me. It was boring because when you’re Gordon Willis or when you are a legend of American cinematography, you know that you are gradually building yourself and you can go into bigger budgets and experiment more. In Israel, the budgets are very, very limited.